Appendix A: Technical Appendices

18

Module 0: introduction to imaging: two-color double stars

Double star HD 237123 and 237124.
(left) Wide field view of the two-color double star HD 237123 or “23” and 237124 or “24” . “23” is the blue star in the center, and “24” is the red star above and to the left of center. The bright star at top right is 8th magnitude HD 20547. In this image, north is up and east is left. (center) Zoomed in view of “23” and “24”. Note the soft edges and mottled background. (right) Zoomed in view of HD 20547. It is itself a close double, barely resolved in our 0.4-meter telescope.

Learning Objectives

By the end of this module the successful student will be able to:

  • request 3-filter images using Skynet telescopes
  • manipulate the images in AfterGlow to produce color images

Contents

1. Purpose

2. How to request observations

3. How to make color images

4. Blog entry

5. Trouble shooting

Appendix: target list

1. Purpose

This module is optional. This module can be completed in about an hour spread over 2 or 3 days. It is designed to give a quick preview of some of the skills needed for the other imaging modules in MWU. Two-color double stars are attractive targets, and you have to concern yourself with only two things: the stars themselves, and the sky background.

Some background: Double stars are stars that appear close together on the sky from our view on Earth. If the stars are not in fact close together but instead only appear along the same line of sight then they are called optical doubles. If the stars are gravitationally bound then they are called binary stars. All the targets in this module are called visual binaries, meaning that each star in the pair can be seen separately from the other.

2. How to request observations

What follows is a recipe. More complete information is in the technical document, “Optical observing guide for Skynet”. Check with your instructor for any changes to be made to the following procedure.

  1. From the appendix below, choose a two-color double and note its target name.
  2. Log in to Skynet.
  3. Select “Add new observation”.
  4. Enter the target name in the keyword box and select “search”.
  5. Check that the target is visible for an appreciable fraction of the night.
  6. Generally the default settings are ok.  Make any changes you see fit.
  7. Under advanced settings select “Enable dithering”.  A 3-by-3 grid with 4-arcsecond spacing will do.
  8. Select “Save and choose filters”.
  9. Select Johnson-Cousins B, V, and R filters. Select “Save and continue”.
  10. Select all telescopes available to you. Select “Save and continue”.
  11. Select “Generic 16-inch” exposure efficiency.
    1. Filter = B.  #exps = 10.  Duration = 6.
    2. Filter = V. #exps = 10. Duration = 2.
    3. Filter = R. #exps = 10. Duration = 2.
  12. Select the appropriate time account.
  13. In “Advanced options” select “All exposures on same telescope”.  Select “Save and continue”.
  14. Check all the entries on the Review page and make any changes.  Select “Submit”.
  15. Your observations will take a day or two to come in.  When they are completed then go to the next section.

3. How to make color images

Aligning and stacking

  1. Log in to AfterGlow.
  2. Select the folder icon to open your observing queue: Files – Skynet Robotic Telescope Network – User Observations – <observation name> – Reduced Images.  Select all.
  3. Use the “filter images” box to list only the images you just imported.
  4. Take a quick look at every one of your 30 images.  Remove any that are obviously bad; even a single bad image can ruin 100 good images during later processing.
  5. From the left side menu, enter any pixel operations needed; ask your instructor.
  6. Select the “Show WCS calibration” menu. Select all images. Select “Extract values from current viewer”. Select “Submit”. Wait for the process to finish.
  7. Select the “Show aligner” menu. Select all images.  Select a reference image. Select “Submit”. Wait for the process to finish.
  8. Select the “Show stacker” menu.  Select ONLY the B filter images.
    1. Mode = average
    2. Percentile = 50
    3. Low = 1
    4. High = 1
    5. Rejection = Chauvenet
    6. Scaling = Average
  9. Select “Submit”.  Wait for the process to finish.
  10. Perform the previous step for ONLY the V filter images.  Then perform the previous step for ONLY the R filter images.

Grouping and colorizing

  1. You now have three new images in your list, each with the code “_stack” in their names.  On the left list, hover over the name and then select the check box for each of these three images.  All three will be checked.
  2. At top left, select the three vertical dots, and select “Group selected files”.  A new entry will appear in your file list with the three “_stack” files under the entry. Look at each of the three for any obvious errors.
  3. Right-click the B filter image, choose Color map – Blue.
  4. Right-click the V filter image, choose Color map – Green.
  5. Right-click the R filter image, choose Color map – Red.
  6. Now select the main entry.  Again go to the right side and select the “Show display” icon.
  7. From the display page, select “Histogram fitting”. A new pull-down menu appears.  Select “Photometric color calibration”.  A window pops up.  Select “Measure zero points with field calibration”. Wait for the process to finish.  Then scroll down and select “Calibrate colors”.  You now have a color image calibrated to something like how the eye would respond.

Adjusting the aesthetic

The final task is to adjust the image to something you can be proud of. All work is done using the “Show display” window of AfterGlow.

  1. Select “link all layers (percentile)” from the Display menu.
  2. Look at the histograms (graph of # of pixels vs. pixel value). AfterGlow determines the saturation level (the color white) from the color image listed first in your file group.  If one of the histograms sits above the other two then that color should be made first in the group list.  For example, if the red (R) histogram sits above the blue (B) and green (V) then click-and-drag the “_R_” named file in the group to the top position within the group.
  3. On the right panel, scroll down and select “Midtone”.
  4. Now you have three parameters to play with: Background level, Midtone level, and Saturation level.  These three settings interact with each other.  You will have to play with the numbers until you get an acceptable image.  Some hints:
    1. select “Bright target” and note the “Saturation level” value; usually you can leave this value unchanged; higher values will under-saturate (less white) and lower values will over-saturate (more white),
    2. try various values of the “Midtone level”; higher values emphasize bright pixels and de-emphasize faint pixels; higher values thus emphasize stars,
    3. try various values of the “Background level”,
    4. continue to move back and forth between Midtone and Background until your image looks good.
  5. What makes a good image?
    1. The stars should have soft edges.  If the stars have hard edges then the look is artificial.
    2. The brightest stars should be white at the center, and colored at the periphery. The color should be the same; if the stars are red on one side and blue on the other then your choices are too severe.
    3. The sky should be dark but not too black; some rgb noise is acceptable.  If you wish you may export the image into another application, like GIMP, for fine-tuning.

And that is it!  You should have a beautiful little image of a two-color double.

4. Blog entry

The picture

Include one or more images in your blog entry. The interesting part of your image should occupy half or more of the viewable area; adjust your zoom levels appropriately. If you wish, one of your images can be labeled with the names of the stars. Find their names using the Simbad/Aladin tool, the world’s premier star catalog:

http://simbad.harvard.edu/simbad/

From Simbad, a “basic search” of your star’s name will bring up facts like location, parallax, spectral class, and fluxes. There will also be an image viewer. The image viewer, called Aladin, can be used to identify celestial objects in the same area of the sky.

The words

Describe your image collection and analysis methods. Match the visual aspects of your stars – color, and brightness – with what you know physically about them. Some guiding questions you can answer are:

  1. Does the brighter star have the lower magnitude number?
  2. Is the redder star brighter in the red filter?
  3. Does the redder star have the later spectral class (OBAFGKM)?
  4. State what you know about redder vs bluer stars; which has the higher surface temperature?

Trouble shooting

WCS (world coordinate system) failure

The WCS finder will fail if there are too few stars in the image. In this case, the color calibration step will also fail. Possible solutions are:

  • Re-observe which filter(s) had the WCS failure. You can find this easily from within Skynet, select the observation name and look for the yellow triangle icon which tells us of failed WCS. If the image was noisy then choose a different telescope. If the stars are too faint then increase the observing time.
  • Sometimes AfterGlow can recover an image where the WCS failed. If the initial WCS in AfterGlow failed, then go to Settings (the gear icon) – Source Extraction, and lower the value of “Threshold” to 2 or possibly even 1. Then return to the Workbench and re-run the WCS tool. The processing time till increase greatly with these settings, but sometimes can recover the fainter stars.
  • If you are in a hurry, then you can skip WCS and ask AfterGlow to align the images automatically. In the Alignment tool choose Mode = Sources Auto.
  • If you are truly truly in a hurry then align the images manually. In the Alignment tool choose Mode = Sources Manual and follow the instructions. You will have to use the Source Catalog tool to select the same star in each image, then merge the source list into a single source, then run the Alignment tool.

Photometric calibration failure

When WCS fails then so too will photometric calibration. In the Display Settings window (where you are now), from the Color Composite tools, select Neutralize Background. Then choose “Link all layers (percentile)”. If nothing else, this setting should produce a color difference between the stars.

Appendix: target list

Note for instructors: stars were chosen from the Washington Double Star catalog (WDS).  They were chosen to be easily imaged within the restrictions of Skynet telescopes.  They have magnitudes between 7 and 11, magnitudes less than 1 mag apart, separations between 10 and 120 arcsec, and MK temperature classes different by at least two letter categories.

Seventh magnitude stars may saturate the detector.  Tenth magnitude stars may need an additional few seconds of integration time.  A test observation is recommended.

Table 1: RA = 0 – 5h (Sept – Dec)

Name Sep (“) Mag 1 Mag 2 Sp 1 Sp 2 Notes
HD 237123 79 9.47 9.84 F III M III Blue, red
LS V +44 1 16 10.1 10.9 K OB Blue, orange
HD 21984 69 7.17 7.67 A3 G5 Blue, orange
CPD-67 310 65 9.8 10.3 M0 F0 Blue, red
HD 286827 64 9.36 9.76 A K White, orange
HD 34750 11 7.52 7.55 K3 V F1 White, orange
HD 39758 18 8.68 8.93 A5 K White, orange
TYC 1320-66-1 27 10.4 10.6 K A0 Blue, orange

Table 2: RA = 6 – 11h (Dec – Mar)

Name Sep (“) Mag 1 Mag 2 Sp 1 Sp 2 Notes
HD 44366 30 9.01 9.33 A4 IV K1 III White, orange
HD 43931 72 6.94 7.74 F6 V K1 V White, orange
HD 255259 39 10.54 10.75 K2 V A0 White, orange
HD 46180 50 9.16 9.09 A3 V O9 V Blue, green (subtle)
BD+42 1587 74 8.95 9.67 A5 K2 Green, orange
BD+11 1461 112 8.89 9.14 K2 B9 Blue, orange
HD 66063 37 8.41 9.37 A2 V K0 V White, orange
BD-17 2472 18 10.06 10.41 M2 G8 White,  orange/red
HD 72318 63 7.01 7.66 B8 V K4 III Blue, orange
UZ Pyx 110 7.47 7.78 C5.5 K2 II Yellow, orange/red
HD 79591 35 9.8 9.9 B9 III F5 White, blue
HD 87254 114 7.88 7.89 K2 III B8 V Yellow, blue
HD 88813 30 8.31 8.66 K4/5 A0 V Orange, blue
HD 90613 20 8.74 9.41 F4 V K3 Yellow, blue (subtle)

Table 3: RA = 12 – 17h (Mar – Jun)

Name Sep (“) Mag 1 Mag 2 Sp 1 Sp 2 Notes
HD 113389 14 9.23 9.98 G9 B9 Orange, blue
HD 114501 18 9.34 10.02 F5 IV B9 V Orange, blue
CPD-53 5879 18 8.09 8.45 M1 F0 V Orange, white
TYC 2028-1142-1 20 9.92 10.09 F2 K0 V Orange, white
CD-58 6032 30 9.19 9.48 K0 A1 III Orange, white
HD 150674 11 9.13 9.75 G8 III A4 Orange, white
CD-40 11644 45 10.3 10.6 M A5 Orange, blue
HD 160942 14 8.3 9.25 A1 V K Orange, blue
BD+05 3509 15 9.55 9.6 G A6 White, white, orange
HD 162652 79 6.67 7.26 dK0 A0 Blue, orange
HD 162792 35 9.72 10.07 F5 V M1 White, orange

Table 4: RA = 18 – 24h (Jun – Sep)

Name Sep (“) Mag 1 Mag 2 Sp 1 Sp 2 Notes
HD 180660 19 8.34 8.71 K2 II A7 Blue, orange
TYC 1064-279-1 24 10.52 10.6 K F Green, orange
HD 225903 57 9.12 9.97 M1 A2 White, orange
HD 226928 30 10.42 10.85 G0 V B0 Blue, orange
HD 190779 57 8.3 9.02 F3 IV K0 V Blue, white
HD 228368 81 8.48 8.89 O7 G0 V Blue, green
IC 4997 66 10.3 10 WC A0 Green, orange
HD 204148 29 9 9.12 K0 III A2 V Blue, orange
AG+29 2810 22 9.32 9.44 K3 III A5 Blue, orange
BF Phe 115 7.44 8.44 A9 III K III Blue, yellow

 

 

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The Multiwavelength Universe Copyright © by Jonathan Keohane; Daryl Janzen; David Moffett; Michael Allen; Kalee Tock; Aaron LaCluyze; Stanley Converse; Daniel Reichart; Megan Dubay; Colin Wallace; Elijah Hayes; Gloria Brown SImmons; Jeff Regester; John Torian; Joshua Haislip; Kate Meredith; Logan Selph; Matthew Fleenor; Michael Fitzgerald; Rielly Castle; and Ruide Fu. All Rights Reserved.